The Digital Black Atlantic Project (DBAP) is a multi-institutional and interdisciplinary working group that has come together to invent a scholarly resource and digital platform for multimedia explorations and documentations of literary texts, visual documents, sites, moments, rituals and ceremonies, monuments and memorials, performances, and material objects emerging out of and concerning the Black Atlantic world. From the epic prose-poems of Aimé Césaire and Derek Walcott, to the city of New Orleans as Atlantic capital, to the explosive moment of historical convergence that was the year 1968, the rhizomatic literary, performative, historical, geographical and other paradigms of the Black Atlantic demand to be approached from as many informed disciplinary perspectives as possible. DBAP seeks to place these and other perspectives in immediate and sustained dialogue with one another, building "deep texts" -- experiences of carefully curated content that will allow for enriched engagements with regional cultural productions. Current work focuses on the Caribbean and its diaspora, analyzing the intersection of information technologies with fields such as American studies, gender and sexuality studies, queer studies, black studies, ethnomusicology, and communications, among others.
The Digital Black Atlantic
Over the course of this afternoon of multiform panel presentations, we will engage critically with the digital as praxis, reflecting on the challenges and opportunities presented by the media technologies that evermore intensely reconfigure the social, historical, and geo-political contours of the Caribbean and its diasporas. Presenters will consider the affordances and limitations of the digital with respect to their particular methodologies – notably, representing the past, historicizing space, and telling stories.