Art Theft and Restitution
A round-table with Ariella Azoulay (Professor of Modern Culture and Media Studies, and Comparative Literature, Brown University), Souleymane Bachir Diagne (Professor of French and Philosophy, and Director of the Institute for African Studies, Columbia University) and Brian Wallis (Curator, The Walther Collection), Moderated by Marianne Hirsch and Andreas Huyssen.
Co-Sponsors: University Seminar on Cultural Memory, Columbia Center for the Study of Social Difference, Maison Francaise.
Injured Cities/Urban Afterlives
What are the effects of catastrophe on cities, their inhabitants, and the larger world? How can we address the politics of terror with which states react to their vulnerability? In a series of presentations and conversations, an international group of artists, writers, activists and individuals directly affected by urban inquiry will imagine creative modes of reinvention in response to urban disasters.
Discussing the Archive: Ideas, Practices, Institutions
Problems and Productivities of Archival Silence
Clive van den Berg - "Excessive Narratives, Secret Histories: Art, Design, and the South African Archive"
Clive van den Berg has designed and curated many of South Africa's most significant heritage installations: the Women's Gaol & Prison #4 at Constitution Hill, the Worker's Museum, the Kimberley Legislature, and Freedom Park. His studio art practice has similarly explored issues of memory and memorialization in the face of silence and forgetfulness. In this lecture, he presents his own work, and meditates on the possibility of giving form to what escapes the order and the authority of the page in a nation whose diverse histories have rarely been given voice.
Jill Bennett - "Affective Aesthetics: Compassion, Resentment and the Emotional Life of Imagery"
This paper examines the affective circuits that animate images of disturbing events, looking in particular at the politics of pity and compassion. Focussing mainly on an image of famine in the Sudan, incorporated into a video installation by Alfredo Jaar, it analyses the complex of positive and negative affects aroused by the documentary image, and the way in which these are exposed and
"ART, ARCHIVE, OPERA AND THE PURGE": WILLIAM KENTRIDGE IN CONVERSATION WITH DAVID LEVIN
From Gogol's short story of a body divided against itself, and the archive of Stalin's purges, comes William Kentridge's magical restaging of Shostakovich's opera, 'The Nose.' Kentridge, one of the world's foremost artists, is joined by opera scholar and dramaturgue David Levin to discuss his visual investigation of anarchism and anomie, power and its excesses.
Tina Campt - "Family Touches: Black Germans and the Sight and Sense of Race"
Tina Campt
CCASD Visiting Fellow and Associate Professor of History and Women's Studies (Duke)
on
"Family Touches: Black Germans and the Sight and Sense of Race"
"Performing the Archive" Conference
A one-day conference that brought together scholars, artists and cultural institutions to explore the practical and conceptual challenges posed by 'live' practices and embodied repertoires to conventional understandings of the archive and archival practice. Invited participants included George Lewis, Tavia Nyong’o, Jean Howard, Elin Diamond, Diamela Eltit, Anna Deveare Smith, Lois Weaver (Split Britches), Reverend Billy, Ozzie Rodriguez (La MaMa E.T.C.), Mary Marshall Clark, Marvin Taylor